Mikrofoni Behringer C112

The Behringer C112 is a dynamic microphone engineered for capturing bass drums and other low-frequency percussion. It provides high SPL handling to accurately reproduce loud transient hits without distortion, and its frequency response is tailored to emphasize low-end punch and depth while maintaining clarity. Designed for both studio and live environments, the C112 combines rugged mechanical construction with a focused pickup pattern to isolate the source and reduce bleed from nearby instruments.

Advantages

The microphone's high sound-pressure-level capability allows it to handle strong, powerful strikes without clipping, preserving the drum's attack and body. A frequency curve optimized for low frequencies enhances the bass drum's presence in a mix while controlling unwanted rumble. The robust housing and mounting options provide reliable durability and straightforward placement in stage or studio setups. Its directional response helps minimize background noise and capture the drum with consistency.

Suitable for

• Capturing bass drum in live concert and rehearsal settings
• Recording kick drum in studio sessions and project studios
• Close-miking low-frequency percussion instruments
• Reinforcing kick drum sound for PA systems and monitoring

Key specifications

• Microphone type: dynamic
• Designed application: bass drum and low-frequency percussion
• High SPL handling for loud sound sources
• Tailored frequency response emphasizing low-end punch
• Directional pickup to reduce off-axis bleed
• Rugged mechanical construction for stage and studio use

How to use

Position the Behringer C112 close to the bass drum’s resonant head or inside the shell using an appropriate mount or clip, aiming at the area where the beater strikes for more attack or toward the center of the shell for increased low-end. Adjust distance and angle to balance attack and boom, and place the microphone to minimize bleed from snares or cymbals. Connect the microphone to a preamplifier or mixer input with an XLR cable, set input gain to avoid clipping during loud hits, and monitor the signal through headphones or PA to fine-tune placement and EQ.

Recommendations

For live use, protect the microphone from direct impacts and use a secure clip or clamp; in the studio, experiment with placement relative to the beater and the drum shell to find the preferred blend of attack and low-frequency body. When high SPLs are present, start with conservative gain settings and increase gradually while monitoring for distortion.